I gave a lecture recently to some of the sudents at Chelsea School of Art. One of their number, the young master Robert Mead, was most enthused therein by such talk of Mr Ruskin's forebearance of all things discursive, relational and altermodern. He has since written in haste to share his essay Ruskin's Idea of Relation and it's Connection to Post Modern Painting, which I attach for any reader wishing to pursue this line of enquiry.
I would be tempted to say one might take his arguments as applicable to Tintorett as to Salle, but this is for another occasion and we must, in the first instance, take delight in this exhumation by youth so that that these thoughts may be possessed of the minds of the masses.
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