Through these blogs we are trying to make the organization and our way of working more accessible.
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Last weekend saw us turn some long-standing piles of brash and rotting timber into useful bark chips for informal paths in various spots around the land, at last opening up George's Dell properly - this is an atmospheric woodland space around a natural stream, initially created by former gardener George Watson and home last year to an amazing show of Himalayan blue poppies.
And Adam got to use a big orange machine all weekend, which he secretly enjoyed.
At the weekend I admonished a mountain biker who was urinating onto the wood stack I was in the process of moving, he explained that he thought it belonged to the National Trust.
He finally apologised and considered that that ended the matter, that no further discussion could be enterd into, (apology accepted or not). It seems to be a new fad to apologise quickly and then with the magic word 'the wrong is gone'. Politicians and public servants seem keen on the approach. So I would like to apologise in advance, I'm sorry', and that's an end of it.
The last few days up here have been nice enough to get out into the garden for a few hours each day, almost the first time since the end of November, which if you remember was the monsoon-like predeccessor to the Siberian winter that followed. Our Kitchen Garden here is undergoing a few changes as we grow more and more vegetables in quantity in the Paddies down the track, and as we (veryreluctantly) give up on the asparagus that we planted in 2006, the first thing in the Kitchen Garden to go in. It's never thrived and - as a coastal plant - you can guess why up here in the wilds. So that bed will end up as Asian vegetables this year. Some ongoing drainage issues in the fruit bed have caused us to discard our summer raspberries in favour of just keeping the autumn ones, and the eBay chicken wire we used on the fruit cage has to be replaced asap before the birds get in there and eat the fruit buds.....
I gave a lecture recently to some of the sudents at Chelsea School of Art. One of their number, the young master Robert Mead, was most enthused therein by such talk of Mr Ruskin's forebearance of all things discursive, relational and altermodern. He has since written in haste to share his essay Ruskin's Idea of Relation and it's Connection to Post Modern Painting, which I attach for any reader wishing to pursue this line of enquiry.
I would be tempted to say one might take his arguments as applicable to Tintorett as to Salle, but this is for another occasion and we must, in the first instance, take delight in this exhumation by youth so that that these thoughts may be possessed of the minds of the masses.
Just organizing for a visit from Californian academic Avery Gordon and found this interesting interview touching on the hypocrisies of the environmental movement as well as some of the high minded and historical precedents and ideals. Avery Gordon interview
check out a good site from Sheffield and dorrian for alternative architectural practices http://www.spatialagency.net/database/diggers
Ruskin Soup
Now we've established that big John Ruskin is worth saving from the dreaded Heritage Vampires, how do we sustain and nourish ourselves on his memory? Ruskin Soup of course!
According to Adam Sutherland, Ruskin was always a man with a plan - and this went as far as having an idea that the working man should always have the recipe for a perfect soup on hand. Cue the ruthless pursuit of a food metaphor by yours truly while Adam cooks. What was Ruskin Soup? Did Ruskin have the ingredients? Could soup - or art for that matter - really sustain and nourish the Ruskinian working woman or man? And how about their fractured and fissured twenty first century counterparts? Can Ruskin's recipes really help us find the way out of the post-postmordern stew were slowly simmering in? All - or more likely none - of these questions will be answered in our culinary homage to the late, great Big John Ruskin (and Keith Floyd).
Thanks to Mat for reminding us of Oscar Wilde's words, 'Its easy to be good in the country'. Although I think Oscar meant good as in not be naughty because there is nothing naughty to do, and I think Mat meant because there is no-one to get naughty with, but what it really means is there is no competition and whatever you do looks good.
There's enough space to be good in!
Despite going back to work on Monday, I haven't made it in to the office yet. Someone dumped a load of snow on the Lake District and it's stopped working. If you are trying to phone us, try an email instead, looks like homeworking for a few more days yet...
Just in from David Gaffney:
Dear all,
You might like to listen to this programme about Chinese artist Li Yuan-Chia who lived in Cumbria for a time and set up a gallery.
When Taiwan's first abstract artist settled in a Cumbrian farmhouse, his life changed. Deriving inspiration from landscape and local people, he encouraged new British artists and anticipated the success of contemporary Chinese visual art.
Li Yuan Chia was one of the first significant Chinese abstract artists of the 20th century. This programme, presented by Sally Lai, the director of Manchester's Chinese Arts Centre, examines his career from the place he spent the last 28 years of his life: a stone farmhouse, built next to Hadrian's Wall in Cumbria.
Listen to the programme here
http://www.bbc.co.uk/programmes/b00pcf5j
Li Yuan-Chia
Born in China in 1929, Li was educated in Taiwan. He worked and exhibited in Italy before moving toLondon in 1963. Here, Li's reputation was established with monochrome paintings and scrolls marked with a tiny, isolated dot.
But Li came to dislike the fashionable metropolitan art world of the mid-1960s. In 1968 he met Cumbrian painter Winifred Nicholson, who pursuaded Li to move away from the busy capital to a far more remote location, near her own home. With his own hands Li then set about converting a farm building, the Banks, at Brampton, where he built a gallery, library, theatre, printing press, children's art room and photographic darkroom, and opened it to the public. It became a popular attraction for local people, art afficianados and tourists walking Hadrian's Wall.
Over the next ten years over 300 artists exhibited at the Banks, which was also the base from which Li's organisation, the LYC Foundation, was able to commission work by young British artists, some of whom became very successful later, including sculptors and land artists Andy Goldsworthy, David Nash and Bill Woodrow.
Li's own work moved into abstract sculpture, using magnets, gold leaf, plastic discs suspended on plastic thread and additional text. The landscape also affected him, and he began to explore photography and environmental art. Always, he wrote poetry.
But after Arts Council funding became increasingly limited, (Is this right? That can't be right, DG) the LYC Foundation had to struggle to survive. Li continued to produce art, which became increasingly contemplative. He fell ill with cancer and died in 1994. Art historians now acknowledge Li Yuan Chia as having paved the way for the current expansion of Chinese contemporary art. But his former home in Cumbria is derelict.
http://www.lycfoundation.org/poems/
Worried about whether the 2 borrowed ponies were going hungry under the 18" of snow, here's Adam throwing them the tops of the Christmas brussel sprouts.
Worried about whether the 2 borrowed ponies were going hungry under the 18" of snow, here's Adam throwing them the tops of the Christmas brussel sprouts.
.....but inside Lawson Park it's spring, thanks to that new-fangled underfloor heating.
The GA Xmas Party on Friday went with a swing, we welcomed interns Ellie, Matt and Sophie back and combined the celebrations with Adam Sutherland's 51st birthday!
.....but inside Lawson Park it's spring, thanks to that new-fangled underfloor heating.
The GA Xmas Party on Friday went with a swing, we welcomed interns Ellie, Matt and Sophie back and combined the celebrations with Adam Sutherland's 51st birthday!
architecturally and politically - Happy Christmas y'all
Today we shot a lively discussion at the Lawson Park TV studio, on naughty German artist Jonathan Meese's work and idealogy...
Pictured left to right is GA's Alistair Hudson, critic and Meese-o-phile Robert Eikmeyer, academic and writer Charlie Gere and academic John Byrne.
The final film will be up and online in early 2010.
Topics: 'Jonathan Meese' 'Nazi' 'TV'
Liking this on Youtube...
It's Matt Bua!
Shall we send a team?
The legend is true...
Let the Games Begin!!!!!
www.arthandlingolympics.com
Sunday March 21st NYC
Angus Farquhar of NVA in Glasgow recently invited Karen & Adam to share an inspirational but very wet (just like home then) tour of the unique St Peter's seminary just outside Glasgow. abandoned now but a rare example thereabouts of an architectural icon of the 1970's and now justly listed. NVA are bravely engaging in the battle to reclaim the building and surrounding landscape from the jaws of Nature - the grounds include an immense range of historic buildings from the 15th / 16th century onwards, and a landscape to match.
A good array of images of the incredible site can be seen on Flickr here, and you can read about Historic Scotland's detailed report on the building its significance and possible future here.
Topics: 'Glasgow' 'St Peter's seminary'
The stream of irritating press releases that run through my mail has been particularly virrulent of late, must be the season. Heading the pack is surely the School of Saatchi, unbelievable that anyone would agree to do this, X factor for art, only from the starting point that art is a totally minority interest with an audience in the thousands. So Saatchi's idea that this will be the X factor for visual arts is mental. Actually I am remembering I was asked to do this a couple of years ago, a pilot version made in the north - They asked me to be on the panel, it was 3 days in Newcastle in a studio and then a couple of interviews, I initially said no, then they said they would pay me £10,000 and I said yes - soooo that's how it happens. I mean I thought I would use the money to support good projects, and maybe something interesting could be done with the show. I was naive back then about TV, I now know that you have absolutely no control or influence and that the TV production is unbelievable ruthless in getting its simple messages across.
Other favs include A Foundation's two Euro art tramps in conversation, very drawn out men in black talking about obvious stuff and giving it the full slavic gravitas - quite funny, listen to it as an audio work. The message is 'cun ve do art vat hiz uzeful, yeh zo maybe could be, umm I dont zay hef to. more here
The rest without going into detail, Campaign for Carlise to become city of culture, Abandon Normal Devices and blow minds by using film and video presentation, and so on.
Topics: 'school of saatchi'
On Sat. 14th November, Guestroom launched their new Lawson Park Library with a Coniston Institute film screening with Oxen Park Cinema Club and a cruise on the solar powered Ruskin Launch on Coniston Water.
Sailors pictured above (left to right) Rob Little (UCLAN), Glenn Boulter (Musician / artist & GA intern), Adam Sutherland (GA director), Maria Benjamin (Guestroom), Dorian Moore (GA technologist and tall person) & musician Jack Maynard.
Thanks to everyone who attended and took part.
Topics: 'Coniston Institute' 'Coniston Water' 'film screening'
website design & build by dorian moore @ theusefularts.org.
5 Comments
if ever there was an opportunity for a urinal based ceramic art object to be commissioned.
Anonymous, February 17, 2010 21:39
there is a long history of urinal based ceramic art objects in art - maybe you would like an exhibition of urinal based ceramic art at grizedale? or get more toilets
richard mutt, February 18, 2010 10:11
How are the mechanical services at the HQ such as the ground source heating fairing in the cold, can you post some pics of the plant room/ manifold valves etc. thanks.
bryan, February 28, 2010 11:21
I like the concept that it's ok to piss on property if it belongs to the national trust. Does this mean it's ok to take a dump in public on the queens property? Or a w*** in public on government property?
Public W***er, March 1, 2010 13:21
Or, I guess for the government to dump on the public over property?
Anonymous, March 1, 2010 13:24