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One of the farmers in Japan (nicknamed by us as pants man due to him only wearing y fronts when we first met him) has sent through the portraits he made of the villagers that Barnaby had painted (on white velvet). The idea of the project was to do with ownership of image and copyright. Barnaby gave the portraits to the sitters, the images that pants man took could be Barnaby’s art, or he could have the portraits translated again - for example copied by reproduction painters in China. This could run for ever and everything belongs to Barnaby or the sitter or the other interpreters, it’s all in the contract.
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