Born 1974, United Kingdom. Lives & Works in United Kingdom.
The past 8 or so years of Grizedale’s history are littered with
the presence of Bedwyr Williams, this attempt to sum it all up is
an inadequate and brief account at best.
The final leg of 2003’s Roadshow tour travelled to Blaenau
Ffestiniog, Wales. For the festival’s last incarnation Bedwyr
joined the show and created ‘Blaenau Vista Social Club’, a
customised caravan in which he worked and slept. The local kids
eyed the activities taking place in their sports-ground with
undisguised suspicion, and after three days of terrorising the
artists and numerous attempts to push over Bedwyr’s caravan they
had no choice but to turn to their final resort, arson. The burning
down of the educational tent swiftly brought an end to any kind of
revelry and the circus packed up and left town.
Soon after Bedwyr travelled to Grizedale for Lets Get Married
Today, setting up shop in a corner of the car park displaying his
collection of ‘Love-Spoons’, a welsh tradition that shy Welsh boys
employed in the hope of attracting a wife impressed by their wood
carving prowess. Suffice to say Bedwyr had no takers that
afternoon.
The following year he began to develop a project as a pre-cursor to
‘Romantic Detachment’ called ‘Satterthwaite Night Live’, an open
mike comedy talent competition staged in the Eagle’s Head pub in
the village of Satterthwaite. The event was linked up to a comedy
club in New York, the intention being that New York comics could
compare and contrast their routines with those of the Cumbrian
contestants. For the PS1 exhibition of Romantic Detachment, he
presented a character called ‘The Dinghy King’. Living in the
corners of other people’s holiday snaps, he was a vinyl-suited
malcontent who recounted memories of miserable summer holidays
spent in Colwyn Bay.
For the 2006 Liverpool Biennial, GA produced a weekend of live
activity as a representation of its current projects, addressing
the issue of regeneration and cultural change in places of
heightened sensitivity: the Lake District; Egremont, Cumbria;
Nanling, China; Echigo-Tsumari, Japan; Lausanne, Switzerland and
Liverpool itself. The weekend was concluded with memorable
performances from a number of contributors including Bedwyr, joined
by Nina Pope and Karen Guthrie in their Tudor personae.
This followed from Bedwyr’s participation in the 2006 project Seven Samurai. Williams a late edition to the artists involved in the project joined the gang in Tokyo and performed at Ikebukero Festival as his new persona Count Pollen (a character he invented after hearing that 80% of children in Tokyo suffer from hayfever).
Solo Exhibitions
2011 Nimrod, Ikon Gallery, Birmingham, UK
2010 The Jinx, 1857, Oslo, Norway 2009
Nimrod, Ceri Hand Gallery, Liverpool, UK
2008 Der Dinghy, Koening, Center, Berlin, Germany
No More Mr Nice Guy, STORE Gallery, London, UK
2005 Basta, Wales at the Venice Biennale of Art, Venice, Italy
Group Exhibitions
2011 SHOW, Jerwood Space, London, UK
2010 The Last Days of the Empire, G39, Cardiff
2008 I am Comedy, Hotel MariaKapel, Hoorn, The
Netherlands Behind, Monitor Gallery, Rome, Italy
2005 Over And Over, Again & Again, Contemporary Art Centre, Vilnius,
Lithuania
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